@adamtrmm:
It could also do wonders for him CHARACTER wise. It would also be fitting for him to have flashbacks from the times when he was completely depowered post-M-day of which we've seen almost nothing. How does Magneto himself feel about being Homo Sapiens Sapiens? What does it do to him knowing it was HIS daughter that hurt mutants the most? Whom did he trust while hiding? What "instruments" did he use without his powers? I think "stories about the lose of power" should always be character driven. More cerebral, more grounded, more personal.
Agreed with your proposition here, i like the idea of more emotional and personal level stories regarding Magneto in depowered days, so like you, i would like to see a mini-series with post-HoM Magneto and personal level story, basically we need a more grounded narrative elements being present, after all what makes Magneto relatable is his human emotions overall, we need more spotlight on that, but it would take a proper writer to execute such story drafts properly. As you very well know, there is a common trope among writers - good concepts and story drafts, bad executions. So while the concept sounds incredibly well, the end result of finished product can be bad......so what i am saying that besides of a good idea, we need a good writer who can execute those ideas properly on paper.
Dandy Maggie is always a bonus!
Never goes wrong with that. :D
lol that's pretty awesome! EM is a fundamental universal force of nature, it one of the aspects that binds reality, mastering such force even in limited areas would grant the master, no pun, tools to not only bend parts of reality to his will, but also fundamental, intuitive and firsthand understanding of things that regular people who can only hypothesize about. For example, have you ever heard about one electron universe or Young's interference experiment? Well, Mags should be knowing the answers to the things smartest people in the world don't just by design. And with his, let's call it, direct relation to the electrons, he becomes the perfect bridge between our and the quantum realms. I understand how complicated writing such powerset to its full potential can be, but I do believe there are creative ways out as even I have ideas and I'm not a writer.
Of course i have heard of those *quickly does a good search*.....
On a serious note the description of details regarding those gives me vibes of along the lines of Cosmic Awareness essentially, the decriptions of the effects of those sound very similar to me really, basically the universe itself gives knowledge and answers to the person.
But regarding it, i think it doesn't have to necessarily be on FULL POTENTIAL, but let's say on specific level, without making such ability broken as hell so to speak, basically a proper balance. But even then in such balance it would still be hard to write such powerset, but sure as hell, it would be very intriguing and interesting to do. I mean we can have stories where the characters has knowledge and answers like what would happen to X person but can't do anything to change that person's fate, thus it can be a suffering and even a curse to the said person.
Regarding your ideas overall, those are very nice, but modern writers are very lazy when it comes to writing powers and abilities, and they just go by basics, because it's easier to do.
Oh I love power levels, and I hate PIS battles, but I totally accept when "out of one's league" character defeats the other leaguer in a well explained and plausible way.
Well, can't disagree with this, since if done right, it can be very entertaining, even if you are not fan of power-levels....
But if you ask me, well written brawls that are pretty classic yet are entertaining to look are:
Superman vs Doomsday - Doomed crossover (loved Lashley's interiors and layouts)
Avengers vs Black Order and Thanos - Infinity crossover
Franklin and Galactus vs Mad Celestials - Hickman's FF (you'd guess these entities can do more than just spam beams and hit each other with fists, but still it was amazeballs imo)
Good mentions, my personal favorite out of those is Superman vs Doomsday deathbattle, that's for sure.
Regarding Franklin vs Celestials, it was explained along the lines that the battle of cosmic entities of such caliber happens on multiple plains of existence, and our senses are too limited to comprehend it so to speak, thus we onlu see just basic battle, but in reality it is a reality shaking murderhouse essentially. I think this notion was explained during the Cancerverse invasion arc...
Basically this was an easy out way for writers have bland cosmic battle with actual justification to it, even though it's just plain laziness factually.
But with Mags, it has to be about creativity.
True, his power is all about creative uses surrounding it, instead of plain throwing metal left and right.
I swear every time I see him lifting a car I wish someone to lose their job lol I mean, even with simple ferrokinesis you can do much more than just effing throwing metal objects.
Agreed with this so much, every time he does it is just annoying at this point, how about something fresh and creative for once, it's not that hard, a simply google search of 15 minutes would give you at least 20+ explanations of what effects Magneto can achieve with his power. Internet has already done the job of what can be achieved by magnetism all writers needs is simply give it some time to read and use in comics, nothing more.
How about reshapable constructs? Malleable armor that can be weaponized? Golems? Metal micro particles that can cause major internal damage? Or liquid metal? I swear since Claremont almost no one savours these integral aspects of comics.
Well said, and to add more, those abilities which you mentioned can be classified as "BASICS" essentially, what i mean is that it is easy to come up with them, but yet we rarely see any of those.
Regarind Claremont, there were many aspects left behind since him in general.
I do think that MGH as a plot device does enrich mutant metaphor and X-verse in general and can play interesting roles in certain X-stories, but this just wasn't one.
I do agree with this, you can have MGH as a certain narrative element for plot development, but for Magneto it just doesn't work.
It's funny that Bunn did remember his scientific genius in a story with Marauders, as he wouldn't be able to "reprogram" them without it, and yet made him need some lowlife for synthesizing MGH. I mean, why? You were totally on track with the former lol!
Let's not forget that Bunn also made Magneto build a freaking TIME MACHINE which works perfectly fine as well as an Aritifical Intelligence in his house all of this happened in X-Men Blue, and yet to think that such person would use MGH as a powerboost element, not that believable really. I would believe more if he made Magneto use nanites/nanomachines for power restoration or boosts.
Deal is, Bunn always seemed to basically expose the fact he loved continuity and he showed a lot of knowledge, but it's the crucial moments that failed him. Like the redundant retcon with Russian submarine that Claremont already dealt with exquisitely as opposed to whatever Bunn did:
Claremont's:
Bunn's:
Funnily enough, Bunn will reference that Claremont's moment in the same issue, but I guess he didn't remember what was going on verbatim. I understand knowing every single issue and quote is impossible, but there are stories and developments that define the character, and X-men v2 1-3 is one of those arcs imo
Agree with this too, *as well as a quick reminder that i really need to reread Claremont's books* but yeah rememmbering everything is impossible, that is true, but knowing the basic and important details is easy, yet those details are totally missing in Bunn's interpretation of the same instance. I also agree that the said story arc was acting as a narrative growth element to Magneto. You can very well see how it affected Magneto emotionally and the consequences of it, so as you said, it was a crucial moment for Magneto.
It was more or less that until crossovers and MGH stuff. I also think that trying to be grey all the time wasn't the best tactic on Bunn's part. I mean, many times it felt heavy handed. I think the shades should come naturally and not become the main point of the narrative like it felt in his.
True, it can also become bland at certain points as well, there are many problems when it is heavy handed, it should come natural, i suppose if Bunn did a more grounded, personal story with Magneto it would more natural, i suppose.
Same, but Bunn is also a Deadpool writer so I would guess he will totally be his choice as well.
Fair enough, but only if done properly, that is my only concern regaring the useage of Deadpool in teambooks.
I agree, let's spread the word. The defective outcome needs to be retwisted of sorts heh
You speak with thy wisdom, friend. :D
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