Family Reunions Are Hell
When I first saw the cover to this issue, two thoughts came to mind, the first being rather obvious: What the heck is that blue thing, and why is Cliff Chiang's name missing from this cover?
As it turns out, Tony Akins is a mighty fine substitute for Cliff Chiang. Either he always draws in this fashion, or he changed his style to match the tone of the previous four issues (I am unfamiliar with his work, unfortunately). The book looks marvelous, and will work wonderfully in the upcoming trade.
There have been a couple of "filler" issues (as in the issues don't directly relate to the story arc, not that they're bad) lately in the DCU (Action Comics, the upcoming Animal Man issues, the upcoming Justice League issues, and Nightwing). When I saw that a guest artist was appearing on this issue, I was afraid this would be the case; I am loving the story, and did not want there to be a pause.
I was thrilled to find myself mistaken. This continues the story at full throttle. I don't want to spoil much, but with Zeus gone, some big players are making claims for the throne - and as will make any Greek mythology lover (myself included) happy, these players don't get any bigger. Having said that, the blue creature on the cover is explained, and it's not disappointing.
What makes this book wonderful is not only the epic scale, but also tiny moments where one can't help but smile. Wonder Woman's growing relationship with her new friend Zola is heartwarming. All of the references to Greek mythology, from obscure to obvious, is a huge bonus to anyone who enjoys it. The book, at times, also has an unapologetic sense of humor. There is a one-liner at the end, delivered more by the facial expression of the character than by the dialogue, that had me grinning ear to ear.
Wonder Woman continues to be my favorite of the New 52.
