Batman vs. Darkseid... that is all.
In Brief: Three simultaneous battles around Apokolips as Batman, Superman, WW and Barda rescue Kara.
And my title lied- actually that is not all. There is so much more to say about this issue, it is kind of overwhelming. But here is a good place to start; concentrate, focus all of your mental energy on dreaming up an amazing comic featuring the superheroes that set the standard for so many in their finest form. While what you dreamed up is epic beyond all description, this issue at least comes close. I know I have been positive on this saga in all of my reviews (it is, quite possibly, my favorite comic saga after all, why should I not be complimentary?), but this issue is, arguably, the best of them all. I will qualify that statement, trust me.
Oh, and beware of some possible (though not overly explicit) spoilers.
The Writing: The best way that I can describe the writing in this issue is 'balanced.' Loeb manages to weave together three seperate stories into one narrative seamlessly- we jump from one hero to another with no jarring 'wait, what...' moments. No hero gets short shrift, (though there is a star... which we will discuss later) he gives each the proper attention, the proper time on the page. Loeb stays true to form in his depiction of the characters, it is clear he has done his homework. Each action is motivated and that motivation is true to the character (nothing is out of character, which makes these fictional characters so much more palpable, more authentic). But perhaps what I am most impressed with, as far as the writing is concerned, is that the writing does not get lost in the action. This is definitely an action-oriented issue (contrast this with the more character-oriented issues I reviewed earlier) but the writing does not get lost in all the fists and explosions. At the end of the episode you are impressed with the quality of the action but also how Loeb manages to keep it motivated and emotionally charged through the writing- the interior monologue in this issue is possibly the best out of any other issue- what exactly are the heroes thinking during these epic fight sequences? Loeb lets us know, and the insight helps orient the action within the larger story (no fighting for fighting's sake).
The best writing sequence? The scene between Batman and Darkseid. It is just so interesting! In the black corner you have Batman- uncompromising, tactical, hard, one step ahead of the competition, human. In the, uh, Omega corner you have Darkseid- master of evil, soulless, unpredictable, vindictive, obsessed, haughty. What happens when these two amazing comic personalities have the chance to come against one another? Only one of the best confrontations in history. The scene is fraught with tension as these two fence with threats, bluffs, how far the other will go. I am actually at a loss for words to describe the genius writing of this interaction, not a position I often find myself in. Suffice it to say that reading this scene gave me a new appreciation of Bruce Wayne. Batman, FTW.
That is not to say that Batman is all that is good in this issue. Kara Zor-El is terrifying. The DCU has often toyed with the idea of what would happen should a member of the Superfamily go to the dark side. Well, Kara as Darkseid's minion is one of the most effective. She is just so damn evil! And so powerful, it is downright spooky. The battle between Kal and Kara thus highlights Superman's strength- both emotional and physical. The interior monologue powerfully shows you just how much this hurts Superman, it is a very vulnerable Man of Steel- and whenever you see multiple sides to a character we gain a greater appreciation for them, it adds another dimension to the character, makes them more rounded. This issue definitely rounded out Superman, Loeb just keeps on plumbing those depths.
In the end- brilliantly balanced, motivated, authentic writing that keeps the action sequences intellectually stimulating.
The Art: Turner continues to prove that he is one of the greatest luminaries in illustration. His sense of motion is flawless- again, the Batman vs. Darkseid sequence- just look at the art there. Look at how he shows you speed and force, it is unique and super-effective. It is a perfect match to Loeb's exquisite writing- while Loeb keeps it interesting on the mental level Turner reminds you that Darkseid and Batman are also in a physical battle, one that is incredibly dangerous, his dynamic style proves that.
Perhaps the best part of this issue, and where Turner's mastery is undeniable, is in his range. In a single issue he takes us from the firepits of Apokolips- dangerous, dirty, infernal, sharp, full of reds, blacks and yellows. A hellish place. Then we go to a hospital on Themyscira- warm, inviting, soft, elegant, a complete opposite from Apokolips which is perfect for what he wants to accomplish! The danger is behind you, thus the style of the Apokolips art is behind us as well... thematic expression in the artistic style masterfully done. Then we go to the Fortress- clinical, cool, sterile, yet homey. Then we go to Smallville- another warm, traditional, comfortable space. And then, in an absolutely perfect moment of artistic flair and writing ingenuity, Darkseid appears on the Kent farm. The contrast is amazing! Here is this Apokolips character in all of his dark colors and sharp lines, this immense, dangerous presence literally bursting into the Kent farm. The art could not be more jarring and thus appropriate- Darkseid does not belong here! And yet, there he is! So disturbing, we really get inside Superman's head (we are right there with the sense of alarm that the characters are feeling).
Speaking of great and versatile art- just check out the panels where Superman is fighting Kara, or mourning her. That vulnerability is brilliantly portrayed, Turner knows how to draw emotion, he makes it real and visceral.
In the end- some of the most versatile art that works perfectly with the thematic message of the work- the art illustrates that subtext of the story perfectly.
The star of the show: Again, for the second time in a row, Batman. If you read the last review you know that Bruce Wayne himself admits that he does not belong on Apokolips, and Turner's art visually illustrates that idea (he is drawn so small in comparison to his surroundings and enemies). And yet, due to the strength of his character Batman meets Apokolips and wins. He defeats demon dogs! He is on par with Darkseid! Best line that illustrates just how amazing Batman is in this issue? When Darkseid looks at him and says 'well played'. Darkseid concedes a victory to Batman, a 'mere' mortal among gods. What an amazing idea.
Overall: one of the best comics that I have ever read. A masterful balance of superb writing and art, a great story. If you are a fan of any of the characters mentioned in this review you need to read this issue- you will see your favorites at their best. That is always a good time.