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Worbbitt

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@moogman13: @thewanderingrob: @ezekael: @superior_prime_maybe: @thewanderingrob: That's why Lucifer and Sandman and Watchmen and Preacher and many other series are so highly regarded, they do have a beginning and an end, they arent just there to create profit.

Hulk has a book because he's the Hulk, not because Pak actually has a relevant Hulk story to tell that Marvel absolutely couldn't refuse.

And before them there were Claremont's X-Men, a lot of Stan Lee works and more. A great series is a great series, with an ending or not

@worbbitt: I said that.

Ok, I misunderstood the last part of your comment.

If you ask me, I think the main reason why Spider-Man begins to sound a little younger than in Straczynski era after Mephisto thing, it's more related to Slott writting than any Marvel politic to make hin younger

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Worbbitt

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I think the problem with most of the big names and the two big companies is character fatigue. There probably isn't a single story about the Hulk that hasn't already been done during the thousands of stories he's been in. It's the problem with having storytelling dictated by chasing profit...having characters that go on and on and on and on and never have a final chapter means that real storytelling suffers. If it only has a begining and then a middle and then another beginning and then another middle and on and on and on for decades...well that's not a story...that's wrestling.

You could name it "wrestling", or you could name it "life"

Are you sure? Because his current status as president of Parker Industries seem a lot more as a grown up Peter, than a teenager one

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Worbbitt

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@materiel said:

I'm honestly still confused as to how Gwenpool became a thing.

She's basically a parody of a parody(Deadpool) of an original character(Deathstroke).

Not so original. George Perez created Deathstroke as a rip-off of his own Taskmaster

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