Afrofuturism (False Bay)

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Fabumi and his warrior wife Iniko were celestial beings from a small but distinguished race known as the ATLiens in the time of the Galactic Congress. One of the only families of privilege to have rejected their inherited seats among the other governing omnipotence. In open protest of the use of genetically engineered slaves, their defiance was viewed as rebellion by the ruling class of celestial omnipotence on the planet Telsa . Birthplace of the Universal Lavalieres. Born on the techno planet of SyberTron, their species' special and unparalleled symbiotic relationship between its digital planet's natural oni-flora organisms and raw electronic energy gave the ATLiens the ability to meld living tissue with operational technology without an infectious or damaging result to surface area. Biological technopathy.

Their perceived nobility and majestic allure were greatly influenced by their feline appearance, unorthodox mannerism and provocative curation of rhythmic harmonies. Music. To be precise.

Unlike their humanoid and visually diverse contemporaries, the ATLiens were elongated with sharply defined features and exaggerated physical illustrations of muscular athletic supremacy. Their religious practices were secretive, their art, a rare mixture of alien technology and living bioluminescent paraflora.

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They visited many planets bringing with them an astro-entourage of cosmic characters musically intune with the pair's psychedelic, laid back lifestyle. They would lace their tracks with the hidden secrets of their cosmic-pseudo-science and the location of metaphysical realms of digital jazz where robots and anthropomorphic creatures, time traveling afro-futurists and computers lived together on the fluorescent crest of a higher psychedelic platform of cybernetic enlightenment.

And then, just as unexpectedly as their arrival, the pair would be gone. Their followers left to decipher the hidden messages in a fading musical hip-hop haze. Together in the void of obscurity, they would lay in the unreachable places to draw and create music.

They loved to perform their own music. Their limbs overlapping one another as their bodies twisted and coiled along their onyx washed skin as a translucent blanket of stars embraced them as the galactic Shakespeares of the solar system. And yet, when the situation called for, they were merciless and frighteningly robotic in their martial approach to war and conflict.

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Fabumi and Iniko. The great panthers of wisdom, the alpha and omega, the ATLiens who fled their universe in open rebellion. And like the Universal Lavaries, they too would find their way to the planet of Earth to be greeted and worshiped as gods. And in return they applied their accelerated knowledge to the fertility of the False Bay. Subtly terraforming the isolated ecosystem to make it inhabitable, and in doing so created the evolutionary bio-molecules that would create the opportunities to form more versatile and complex structures in the topography of the Kwazulu Alcazar.

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The religious tenets of the False Bay's Afrofuturistic culture begin with the story of Fabumi and Iniko. The extraterrestrial travelers who would bury the secrets of an accelerated culture in the mountains, the bay, beneath and even in the soil of the Kwazulu Alcazar. In its culture. And of course, in its music.

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