RockyRaccoon37

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RockyRaccoon37

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#1  Edited By RockyRaccoon37

@jphulk26 said:

@RockyRaccoon37: @RockyRaccoon37 said:

@jphulk26 said:

@Babs said:

BA: Well, I wouldn't say it's paternal, but I think as we established in issue #0 she has feelings for him as her mentor.

CV: What inspired you to make Ares this male figure in Diana's life? And did you feel she needed to be influenced by him?

BA: I didn't think she needed to be influenced...Well, she's a warrior and I thought maybe War should train the warrior. But I thought that the character War needed a fresh approach just so he wasn't so....moustache-twirling evil, because he's always sort of been portrayed that way before. And going back to the myth we're pulling this out of, he [War] was worshipped. I mean, War wasn't always a bad thing and that's something I wanted to play with in relation to that character. You know, there was glory in war.

To Azzerrelo: Ok, what an innovative move man, jesus this man is a genius. War is not inherently evil; man I have never heard such a notion. That´s some real deep insight man, real deep. Yeah that Ares was soooooo stereotypical before, in all the Wonder Woman comics you´ve never read. Totally man; or was he this little thing that is often refered to in literary circles... what it is it called again? starts with a V, oh yes thats right, he was villain. And like all villains, they tend to like doing a bit of mustache-twiddling; its your job, to come up with a story that makes that mustache twiddling cool, you pathetic, patronising moron. Please god I´m begging you, not two more years of this guy, he´s like a cult leader. He even looks like one. WARNING: Don´t drink the cool-aid.

HAHAHAHAHAHAHAHAHA

oh but for serious, you have issues. Did Azaarello push you down a flight of stairs or something?

"HEY GUYS DON'T LIKE THIS THING YOU LIKE, LIKE WHAT I LIKE INSTEAD CAUSE IF YOU DON'T IT'S LIKE YOU'RE IN A CULT, BUT IT'S TOTALLY NOT A CULT IF YOU AGREE WITH ME AND ONLY ME".

His job as a comic book writer is to write interesting stories that find an audience, not to cater specifically to your wants and desires.

I didn´t mean the comic, I meant his stupid statement, and the continued spurious lies he propagates about former runs of Wonder Woman. He doesn´t need to put down former runs to elevate his own. If people like his run I don´t mind, I just hate nearly everything he says about Wonder Woman, and the fact that I have to be subjected for another two years to this nonsense just makes me feel a bit nauseous. Sorry for the mixup.

As for your last statement, its nothing to do with catering to my tastes, as I understand it Superheroes tend to have villains. Adventure stories have protaganist and antagonist, thats not me talking about my particular tastes thats me talking about the structure of storytelling. In any case, I was addressing the fact that if he thought Ares was to simplistic a villain, why didn´t he deepen or expand his motivation or plan? Rather than instead making him a one-dimensional stereotypical mentor. And from the guy who has ripped off nearly every story of demigods existing since 1200 BC, I wouldn´t be talking about originality if I was him.

Heads-up: you don't have to be subjected to this, you can opt not to read the book.

I don't really see War as one dimensional or stereotypical at all-- his morality is often steeped in shades of grey, much like war itself. War is a masculine figure, and as a mentor, taught Wonder Woman how to fight, survive and tried to instill the nature of warfare which is that one must be capable of killing without remorse. Wonder Woman denies that need for a lack of emotion, but still adopts the more masculine modes of violence-- in that way she maintains a specific element of femininity and humanity.

War plays a significant role in shaping this progressive character of Wonder Woman. Not to mention that what one expects out of his character is totally subverted as he avoids the conflict over the throne of Olympus. Surely something not expected from a god of war.

He's not the one-note character you make him out to be at all, and plays one of the most significant roles in the story.

And to your point about antagonists: what makes a villain interesting is when they are not evil for the sake of being evil. What makes this book so exciting is that the villains and heroes are often interchanged repeatedly. Hera began as the central antagonist, but now she's part of the team and a sympathetic, entertaining figure; Hermes was seemingly a meek ally, but now has been turned into a potential villain himself (although we still don't know the full extent of his motivations).

You don't have to like the book, but you're misrepresenting it so much and spew so much anger towards Azzarello, it seems as though you wouldn't have been happy with any changes to the Wonder Woman mythos.

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RockyRaccoon37

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#2  Edited By RockyRaccoon37

@jphulk26 said:

@Babs said:

BA: Well, I wouldn't say it's paternal, but I think as we established in issue #0 she has feelings for him as her mentor.

CV: What inspired you to make Ares this male figure in Diana's life? And did you feel she needed to be influenced by him?

BA: I didn't think she needed to be influenced...Well, she's a warrior and I thought maybe War should train the warrior. But I thought that the character War needed a fresh approach just so he wasn't so....moustache-twirling evil, because he's always sort of been portrayed that way before. And going back to the myth we're pulling this out of, he [War] was worshipped. I mean, War wasn't always a bad thing and that's something I wanted to play with in relation to that character. You know, there was glory in war.

To Azzerrelo: Ok, what an innovative move man, jesus this man is a genius. War is not inherently evil; man I have never heard such a notion. That´s some real deep insight man, real deep. Yeah that Ares was soooooo stereotypical before, in all the Wonder Woman comics you´ve never read. Totally man; or was he this little thing that is often refered to in literary circles... what it is it called again? starts with a V, oh yes thats right, he was villain. And like all villains, they tend to like doing a bit of mustache-twiddling; its your job, to come up with a story that makes that mustache twiddling cool, you pathetic, patronising moron. Please god I´m begging you, not two more years of this guy, he´s like a cult leader. He even looks like one. WARNING: Don´t drink the cool-aid.

HAHAHAHAHAHAHAHAHA

oh but for serious, you have issues. Did Azaarello push you down a flight of stairs or something?

"HEY GUYS DON'T LIKE THIS THING YOU LIKE, LIKE WHAT I LIKE INSTEAD CAUSE IF YOU DON'T IT'S LIKE YOU'RE IN A CULT, BUT IT'S TOTALLY NOT A CULT IF YOU AGREE WITH ME AND ONLY ME".

His job as a comic book writer is to write interesting stories that find an audience, not to cater specifically to your wants and desires.

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RockyRaccoon37

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#3  Edited By RockyRaccoon37

@Loki2u said:

@Jonny_Anonymous said:

@Loki2u: See I never understand why pepole say this, I mean nobody knew who Luke Skywalker was before Star Wars, nobody knew who Neo was before The Matrix ect

To compare those movies to Dredd is ridiculous. Those are original screenplays and were groundbreaking for their time.

Dredd was good, but it wasn't even a fraction of how good Star Wars and Matrix were. But I suppose time will tell. If Dredd end up grossing more than Star Wars in BluRay sales....I stand corrected. :P

Dredd was rated 18a and couldn't even reach out to its major audience-kids! It was a good script to us comicbook fans, but to appeal to everybody? Dredd needed a lot of work to become a huge success.

OK, first off-- Star Wars was hardly original, case in point: http://en.wikipedia.org/wiki/The_Hidden_Fortress#Influence

Second, Dredd was amazing-- both intensely entertaining and a super interesting film about the nature of justice.

Third, the major audience for Dredd is not kids-- Judge Dredd is not, and never should be, a film directed towards an audience younger than 18.

Alright, I can breathe again.

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RockyRaccoon37

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#4  Edited By RockyRaccoon37

This is gross, lowest common denominator shit you guys.

Try harder next time please.

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RockyRaccoon37

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RockyRaccoon37

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RockyRaccoon37

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#7  Edited By RockyRaccoon37

@All_Around_Nerd said:

@RockyRaccoon37: Mediocre?!?!?

I don't like it, and this is coming from someone who really liked his Detective Comics run and Severed. So I ain't no Snyder-hater!

His New 52 Batman is too heavy-handed for me.

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RockyRaccoon37

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#8  Edited By RockyRaccoon37

Well his Batman has been pretty mediocre, but I dug his co-written Flaspoint Superman book. This could be interesting.

But likely, it's nothing more than a marketing ploy to drum up hype for the movie from two of the people who produce DC's best selling, and dullest, comic books.

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RockyRaccoon37

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#9  Edited By RockyRaccoon37

All the people here who are immediately writing this off are either young, boring, or both.

I like David Finch, Steve McNiven and the Tony Daniel's of the world too, but variety is the spice of life.

Not everything needs to be super grim and realistic in tone. These are comic books after all.

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RockyRaccoon37

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#10  Edited By RockyRaccoon37

Snyder has proven himself to be a more than capable writer (see: The Black Mirror and Severed), but his Batman work has been dull and uninteresting.

My biggest issue with The Court of Owls is how strikingly similar it is to Morrison's The Black Glove and RIP. A secret, elite group of villains have been hiding in the background of Bruce's life plotting to destroy him. Batman is pushed to his limit, but overcomes it (and in Court of Owls, he defeats the first talon in the labyrinth in a deus ex machina moment), defeats the shadowy organization and it is revealed that the person at the center of this group of villains is in fact a relative of Bruce.

Oh and just a heads up Scott, if you're reading this (I know you aren't)-- a metaphor loses it's punch when it is literally spelt out to the reader through an internal narrative or in dialogue. The idea of using owls as the villains of this story would have been neat if it hadn't been spelt out about a dozen times that owls are the natural predators of bats. I've noticed this in Snyder's writing through nearly all of his books, he doesn't seem confident in letting his audience figure out his metaphors, so he always spells them out and makes the metaphor less potent.

Snyder is a good, new writer-- hopefully he finds more confidence in his writing and brings some of the subtlety that was in Severed over to his Batman run. As it stands though, his 12 issues of Batman don't come even close to comparing to Morrison shockingly brilliant run on Batman.

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