bigcimmerian

Hold that thought. I'll get back to you later.

That's because, historically, 17th century France actually had Black people... They were called Moors. You can stop being a troll now. Disney does their research. You should too....

Lack of White people? Dude.... The movie takes place in an isolationist African country in the eastern part of the continent, not South Africa. LMAO. LGBT? It's unfortunate that this wasn't touched upon in the film, but the lack of it isn't a disturbing thing. LGBT should be represented in film, but not be forced. Muslims? The central religion in the movie is the worship of an Egyptian god/goddess.

There was nothing racist about this movie. The problem is that you couldn't relate to the film, like I said earlier.

I can see why you'd believe that nonsense....

No, it’s not overrated. You either liked it or you didn’t. To each their own. Everyone can’t be pleased. That’s said, the movie isn’t for everyone.

As far as the movie being too political (whoever said that shit), the best superhero films have usually have a political agenda in them. Captain America: The Winter Soldier and The Dark Knight are two examples. No one complained about them being too political though. Strange. Black Panther being too political isn’t the problem. The problem is that the majority isn’t going to be able to relate to the movie.

EDIT: Fox's X-Men films have a political agenda as well. No one complains about that, though.....

@bigcimmerian: What up?! Feel like I haven’t seen you around the ‘Vine in a minute! ... I don’t know any of this as a fact. Just making my comments from an outsiders/consumers perspective viewing their product(s) in comparison to their competitors.

The DCEU’s problems are more than just implanting a single or certain person and everything will be better. It really starts at the top, or with the big-wigs within the Studio that like to be involved with the creative/film process. They simple are not allowing the people they hire to do the job they are paying them for without stepping in changing stuff up, so much to the point that it’s hampering their films in the long run. This happened with both Snyder and Ayer. The only director that didn’t seem to suffer from this is Patty Jenkins, for reasons unknown to me. Once, or IF, they ever figure that out, we might see some improvement. It’llbe interesting to see how Wan’s and Sandbergs films turn out, and if the Studio will interfere as much on their projects. I suspect they will, but time will tell I guess.