The New American Splendor Anthology #1

Content

• “Pa-ayper-Reggs!!”, art by R. Crumb (2 p.)
• “Broken Window” (1986), art by Frank Stack (4 p.)
• “Hysteria” (1986), art by Val Mayerik (15 p.)
• “Jack Diskens’ Comic Kingdom”, art by Frank Stack (14 p.)
• “Late Night with David Letterman” (1986), art by Gerry Shamray (14 p.)
• “New York: City with a Heart” (1987), art by Drew Friedman (1 p.)
• “Florida” (1988), art by Drew Friedman (1 p.)
• “Sweet Like ‘Oney” (1986), art by Frank Stack (4 p.)
• “My Struggle with Corporate Corruption and Network Philistinism” (1986), art by Joe Zabel & Gary Dumm (12 p.)
• “Alterations” (1988), art by Val Mayerik (8 p.)
• “President’s Day” (1988), drawn by Joe Zabel, inked by Gary Dumm (10 p.)
• “I Don’t wanna seem judg-mental, but…” (1988), art by Rebecca Huntington (6 p.)
• “Say No to Drugs” (1988), art by Ed Wesolowski (1 p.)
• “Rabbi’s Vife” (1988), art by Drew Friedman (1 p.)
• “The L.A. Performance Scene” (1989), art by Paul Mavrides (1 p.)
• “Adam Pukes on Halloween” (1988), art by Frank Stack (1 p.)
• “Lost and Found” (1989), drawn by Joe Zabel, inked by Gary Dumm (22 p.)
• “Free Association” (1989), art by Alison Bechdel (1 p.)
• “Passport to Pimlico” (1989), drawn by Joe Zabel, with inserts by Greg Budgett & Gary Dumm (11 p.)
• “Pre-Dawn Ride” (1989), art by Gary Dumm, assisted by Laura Darnell Dumm (7 p.)
• “The Grand Finale” (1989), art by William Fogg (8 p.)
• “Untitled” (1989), art by Rebecca Huntington (1 p.)
• “Bob Wachsman: Tummler” (1990), art by Alan Moore (1 p.)
• “The Man who came to dinner and lunch and breakfast” (1990), art by Carole Sobocinski (1 p.)
• “Squirrell” (1990), art by Joe Zabel, Gary Dumm (8 p.)
• “Wounded in Action” (1990), art by Spain (1 p.)
• “Weekend” (1990), dranw by Joe Zabel, inked by Gary Dumm (8 p.)
• “The Greenhouse Effect” (1989), art by M. A. Zingarelli (1 p.)
• “Short Changed” (1990), art by Mark Zingarelli (1 p.)
• “Disjunctions” (19?), art by Joe Zabel & Gary Dumm (6 p.)
• “A Lull at the Convention” (1990), art by Frank Stack (6 p.)
• “Explosion” (1990), art by Spain) (1 p.)
• “Toby Saves the Day” (1990), art by Ed Wesolowski (3 p.)
• “Festering” (1990), drawn by Joe Zabel, inked and lettered by Gary Dumm (14 p.)
• “Short Story – Long Money” (1989), art by Joe Zabel, Gary Dumm (1 p.)
• “War Baby” (1990), artist unknown (1 p.)
• “Time Flies… Time Drags” (1986), art by Bill Knapp (11 p.)
• “Double Feature, Part 1: Footloose” (1985), art by Bill Knapp (6 p.)
• “Double Feature, Part 2: Revenge of the Nerds” (1985), art by Bill Knapp (7 p.)
• “Obessive – Compulsive (Lost Glasses)” (1985), art by Bill Knapp (10 p.)
• “A Semi-Bummer Weekend” (?), art by Kevin Brown (11 p.)
• “A Harvey Pekar Story” (1984), art by Val Mayerik (5 p.)
• “The Last Supper” (1983), art by R. Crumb (1 p.)
• “Cold World” (1981), art by Gerry Shamray (4 p.)
• “Excerpt” (1980), art by R. Crumb (1 p.)
• Untitled, art by Gerry Shamray (7 p.)
• “Walkin’ an’ Talkin’” (?), art by R. Crumb (2 p.)
• “Traditional Male Chauvinism” (?), art by Greg Budgett, Gary Dumm (1 p.)
• “The End of Innocence” (1991), art by Joe Zabel, Gary Dumm (2 p.)
• “Dance Lines” (?), art by J. R. Stats (1 p.)
• “Provincial Life” (1991), art by Spain (1 p.)
• “Heavy Harangues Inc. Presents: ‘It Pays to Advertise’ or ‘Woody Allen Ain’t Jivin’ Me’” (1974), art by Willy Murphy (3 p.)
• “The Boys on the Corner in: ‘A Good Shit is Best’’” (1974), art by Willy Murphy (2 p.)
• “Ain’ it the Truth” (1974), art by Willy Murphy (2 p.)
• “Famous Street Fights. A True Life Adventure ‘The Champ’, A Tale from the 1950’s” (?), art by Robert Armstrong (5 p.)
• “Don’t Rain on my Parade” (?), art by L. B. Armstrong (2 p.)
• “Say That You Care” (1988), art by Paul Mavrides (2 p.)
• “A Notable Among Those Present” (1990) drawn by Joe Zabel, inked and lettered by Gary Dumm (2 p.)
• “How This Foreword Got Written” (1989), art by Chester Brown (4 p.)
• “A Tribute to Bill Marks” (1989), art by Chester Brown (1 p.)
• “Introducing Dennis Eichhorn” (?), art by Jim Woodring (1 p.)
• “Meet Colin Upton” (1990), art by Colin Upton (1 p.)