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Armani Street, Gothic City.
Some say there was a place here that offered sanctuary to the broken masses, using its global library of culturally exquisite attractions to draw in the rich and famous. From all over the world, they could come here at the edge of society - to see the veritable 'antithesis of civilization'. That was quite a while ago, however. Last time a place sprang up like that, in a place like Gothic, it was shot down. Literally. The wars it set itself apart from eventually consumed it, leaving it a derelict much like any other former skyscraper or hulking wreck around it.
The jump-start to Gothic's economy crumbled just like many who warned its proprietor had predicted. Its owner seemed to fall off the face of the Earth as well, the shady 'Mr. Harvey' disappearing into the breeze. His associates were either killed or deemed missing. The Patio faded into modern memory, a sudden impact to a dream about flying above the clouds.
But the dream did not die there.
Mr. Harvey returned, though it was with his real name and identity in tow. He had been purged of many things - his money, many of his hardest-hitting allies, but most of all he was relieved of his sense of fear. Gothic had been a proving ground. Not for his enemies, but for himself. He had to tame his own little corner of Gothic and start all over. It would be a quiet campaign, but perhaps not one that would be ignored for long.
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Despite many remembering his former Patio location as a financial and almost fatal disaster, the fact that Antonio Roman now owns Armani Street as a property is more than substantial to the survival of his new business venture into Gothic City. The purchase itself came down to stiff negotiations between Mr. Roman and the proprietors of the street, the remnants of his old gangs all vying for control of the old Patio building.
It was almost a grievous offense against their old employer, but the gangsters had all been left for dead in the aftermath of the attack on the Patio. Even then, the replacement management had seemingly went off to their own tasks and ventures in different areas of the city - or state entirely. It left the Patio hollow, misshapen, and forgotten. Mr. Roman fought tooth and nail with his own employees, setting up a meeting with all of them and their representatives. Astoundingly, they all came to an agreed price of 104.6 million per block, amounting to a healthy 313.8 million plus property taxes and the like. The city's managerial services, or what was left of them at this point, were in on the deal as well, taking the lion's share of the profits while also allowing Mr. Roman a business license for operations within Gothic. This came at a further steep price, but one that is best left to the documentations of the city's banks.
Oddly, those rival gangs inhabiting Armani Street were instantly liquidated upon Mr. Roman's official arrival. They either joined back up with their former employer or simply moved on. In some, more extreme cases, the police force lost track of them entirely.
When the checks finally cleared, it seemed that Mr. Roman had not lost any money at all. The city officials responsible for bringing him his papers were properly thanked and paid, leaving him an official business owner in the city with his own street to run whatever business he wanted - so long as it followed the guidelines of the boundaries he paid for.
So, in other words, as long as he kept it under wraps or kept the police on his payroll.
Money, after all, is more powerful than any kind of ink.
But that is not the purpose of his new location, his Hanging Garden. It is a much more resilient message to the world around him, the world he chose for himself. The criminal underground had relentlessly mocked him for his failed venture into Gothic once before. When he dug out the Lion's Den with his bare hands, the laughter slowly simmered down into a rustle of jeers and complaints. You never got a foothold in Gothic, they told him. The Mecca of Crime stopped you.
He refused to let those taunts break him. So, in retaliation, he used the money gained from his lucrative gamble in South Africa and accomplished what would be the final scratch on the tombstone of his insecurities and doubts. Gothic would be his, one block at a time. He raked in the profits from his assimilated gangs, and stood on the corpses of their leaders, leaders who built themselves out of the shadows of his coattails all those years ago. Armani Street was his, and he didn't lose a dime.
It was time to take back what was his.
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The Hanging Gardens, contrary to what the Patio represented, would be a three-block-long stretch of buildings owned and operated by Antonio Roman and his associates. Big or small, they all would have a part to play. No small surprise, then, that the majority of business went into the gambling dens popularized by Silas Tomassetti's 'Serra del Mondo', the 'Greenhouse of the World'. By Mr. Roman's generous donations, it would be Tomassetti's dreamlike vision of all the globe under one roof that would inspire the 'Las Vegas of the East Coast' motif.
Miniaturized sculptures of famous world monuments shaped in immaculate detail, immortalized for all to see, formed Tomassetti's crown jewel. Not because of some childish fantasy, but of the material and care they were constructed with. Pure Italian statuario marble, chiseled down to the smallest and most perfect square micrometer using scopes and handheld laser tools. The Eiffel Tower model alone cost over a million dollars to make, and its illuminated shadow hangs over the lobby to the French-styled gambling wing in a noble affair.
It cannot be understated how well-fortified the Serra del Mondo is, as it functions as both a gambling den and the closest thing to a bank that is on Armani Street. Not a single personal cent of Mr. Roman's is in circulation through the Gothic City banks unless it is already deposited through the police officers he has bargained with. He keeps the vast majority of his wealth on American soil inside the secret vaults of the Serra del Mondo, trusting Tomassetti with but a fraction of the combination needed to open the lock.
The Serra del Mondo contains practically every form of popularized gambling from around the world, although the house favorites are perpetually the slot machines and the card tables. Dealers are free to choose from any game they know, and are encouraged to learn the rules to those that they don't.
Drinks are free from 2100 to 0300.
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Saladino Dorsa runs 'La Cucina', the Kitchen, as part of Armani Street's many businesses. As far as they go, Dorsa's is perhaps the cleanest and most vanilla of them all - but that doesn't mean it still has its fair share of criminal elements. The food is to die for, after all.
La Cucina has a reputation for serving amazing meals, and the family signature Sicilian Roast is undoubtedly the most popular item on the list - with steaks edging out second place.
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Costanzo Padalino has sway over the nightclub, 'Mezzanotte'. He has very few restrictions, serves drinks all night, but everything under his roof is a show.
Don't touch anything, or you lose fingers.
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The centerpiece of Armani Street is the 'Giardini Pensili', the eponymous Hanging Gardens. Here is where the beating heart and living brain of the criminal organization dominating the three block district operates. Any and all business operations go through Antonio Roman, or not at all. His iron grip on Armani Street is cemented in that he has bought out or erased any and all gang activity on its streets other than his own. Mutant bruisers, metahuman fighters of all walks of life, they're all on his payroll.
He often has a lot of time on his hands, and thus makes his rounds throughout his small empire. He runs his criminal outlet like a family, as all hot-blooded Italians do. It isn't so much a matter of trust that builds his allies as it is absolute loyalty. Blood relatives through the bloodshed of the family's enemies, so on and so forth. Money is merely a means to an end that facilitates the family's growth and prosperity.
Therefore, the Black Masks are a solid core of hardened gangsters and thugs practically designed with a purpose in mind - of enforcement and brutality. A clever nod to his own favorite facial gear, as well as his former operations in America. Now, he has his eyes set on making a name out of the Masquerade instead. It is all an expertly-executed routine, a red dance in the dusk before night turns into day at the flip of a switch.
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