If anyone asks me what are your top 10 non-comic book movies... I'll simply tell them - well, I don't watch many non-comic book movies at all. Why?... Well, that's also simple... they aren't good enough. Yeah, and it may sound ridiculous, it may sound asinine, or ignorant or whatever - but that's generally it, I don't think modern non-comic blockbusters are as good as comic book movies - and they aren't necessarily poorly done, or bad films for that matter - they should don't hold up, narrative wise.
If you asked me my Top-Non Comic Book Movies - I'd tell you Hunger Games: Catching Fire, Argo and Inception. They're some of the only good stuff out there that aren't comic book related - and you'll notice one of them is novel-based, the other is based off of a real life event, and the other one is completely original. Of all those three - the best is Inception, then Catching Fire, and despite my love for Argo, that isn't that good. So - why are most original modern films weak? Because, again, they're simply weak: They're literally straight up, straight forward action films - lacking substance, they aren't worthy of deep praise.
I'm going back to the recent Edge of Tomorrow, which was, narrative wise, one of the weakest of the year. They didn't develop the characters - did any of you people understand where William Cage comes from and why he was doing what he did? Did anyone notice any character development for Cage? (Not goal developments, but the development of the character as a person), and was Rita a fleshed out character? Were Jay Squad all fleshed out with back stories, origins, motivations etc.? NO, THE CHARACTERS WERE PISS POOR.
If you know me well enough - Characterisation and Creativity are the two most critical elements in filmmaking in my eyes - and proper characterisation (heck, characterisation in general) wasn't present in Edge of Tomorrow, which was rated at a friggin 90% on Rotten Tomatoes, and a 7.5 on IGN (heck, it doesn't deserve that)... why? What did the film do to make it standout? It was a straight up action flick - it didn't develop it's characters or it's backstories, or their motivations...
Then there's Dawn of The Planet of The Apes, which didn't develop anyone besides Ceaser... yeah, you can argue they developed the primary human antagonist, who's name I forgot, but it isn't worthy of noting if the character development isn't well done and doesn't flow naturally. So - why is it a good film? In Rise of The Planet of The Apes, besides Ceaser and Franco's character, didn't develop anyone - everyone was sidelined. Basically, those are the issues with blockbuster films that aren't comic book films - they don't develop stuff.
Then there's comic book films - you watch First Class, and you see the characters develop: Erik develops into an antagonist, Raven merged into the Brotherhood of Dark Mutants, Charles and Beast were both dynamic characters... Iron Man (2008) developed Tony Stark's character, fleshed out Obadiah Stane's motivation, and a top of that, the romance dynamic between the two leads. Spider-Man 2 was also character driven - we witness Peter's arc, Harry's hunt for revenge, Ock's spiral to madness etc. etc...
Guardians of The Galaxy utilised almost every single character properly - we understood Star-Lord's origins, Gamora's motivations, Rocket developed into a more selfless person etc. etc. So - why don't we find this sort of substance in non-comic book films? (besides exceptions such as Inception) Why don't we follow character arcs in original blockbusters?... It's all straight up action...
I wont dwell on this anymore, because you're smart enough to understand where I'm coming from... this's been bothering me, though - nothing much to add. Thanks, and leave your comments bellow.
- TAS
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