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Charlton Comics—1973

Jud Hurd's Cartoonist Profiles article on the unique all-in-one operation at the Derby, Conn. plant

Alex Toth—'Before I Forget'

The master comic book artist on his few but memorable contributions to Charlton in the '70s

George Wildman Interview

Charlton's comics editor (and Popeye artist) talks about helming the line for over 15 years

Nicola Cuti Interview

Artist, writer, and assistant editor at Charlton on reinvigorating the Charlton comics line in the '70s

Rocco Nigro talks to our cover artist on his Charlton work—from Primus to E-Man to Space: 1999

The superstar artist on his humble beginnings at Charlton, Wheelie & the Chopper Bunch, and Rog-2000

ALL-NEW E-MAN STRIP!

E-Man & Nova in "Come and Grow Old With Me", a new two-page strip by creators Nick Cuti and Joe Staton!

The Art of Don Newton

Our favorite Welsh comics historian, David A. Roach, on the late artist of Charlton's Phantom comic

Tom Sutton Interview

Comics' quintessential horror artist on freedom and expression, however macabre, at Charlton comics

Mike Zeck Interview

Before Secret Wars and Beastly Nights, there was Mike's start at the Derby, Conn. publisher!

Jack Keller Interview

THE hot rod comic artist/writer from his Golden Age beginnings to his retirement from the field in 1973

Pete Morisi Interview

Glen D. Johnson's second CBA interview with PAM on the artist's Charlton work in the '70s

Warren Sattler Interview

The ubiquitous Yang and Billy the Kid artist on his '70s Charlton work and a long life in comics

Bob Layton Interview

The artist on his fan publishing experiences from Contemporary Pictorial Literature to Charlton Bullseye

The future comics writer on robot maintenance, working with Byrne, and doing time at Derby

Rich Larson Interview

A mini-chat with the "good girl" artist on his short tenure at Charlton

Dan Reed Interview

Chris Irving chats with Dan on jumpstarting Charlton Bullseye and his brief foray at the all-in-one publisher

Closing The Books: Charlton's Twilight and Afterlife

Chris Irving examines the Charlton copyright morass with sidebars by Bill Black and T.C. Ford

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