Carnage is an impressive comic book super-villain.

Not only does he embody general mayhem and terror (and terrorism), but he also effectively offers comic book fans a dynamic image of a modern age anxiety about criminality.

Comic books are different from literature and cinema in that they present pedestrianism concerns (i.e., vigilantism) through the lens of 'accessible art.' Comic books are basically fun.

Comic book adapted films such as "The Dark Knight" [2008] and "The Amazing Spider-Man 2" [2014] are presented as dioramas of a pedestrian-friendly presentation of visuals and graphics.

Carnage symbolizes a human curiosity about uncontrolled psychological instincts and feelings such as wrath, and he's drawn to typify a general social angst towards violence and self-destruction.

Therefore, how can we *use* Carnage to discuss shameful fear?

The horror-control themes in Carnage storyboards are ironically reflected in traffic-devastation films such as "Cloverfield" [2008] and "The Crazies" [2010].

Carnage is arguably the most uncensored monster ever presented in comics.

That's why we need to systematically account for all reports/images/statistics of Carnage changes. Can we present him as an unchanging avatar?

Cloverfield (Film)

Anarchism: Violence Dianetics

The dynamics surrounding Carnage represents comic book art investments in violence meditation. How symbolic is the personality profile of Cletus Kasady to the analysis of criminality pulp fiction?

This is a great Marvel super-villain to use for the analysis of Anarchism as a norm-critique philosophy (i.e., "how valid are capitalism-based governments?").

America sees a lot of multi-cultural traffic, and a youngster can pick up a Carnage-spotlight comic from the local comic book shop for under $10 and see American art investments in violence thematics.

Separating Kasady from the Carnage-symbiote, dissecting violence censorship in comics, and tracking Kasady's rehabilitation helps critics evaluate Anarchism norms in comic book art. How many times has Carnage been defeated?

When you see an anarchy-incendiary character in a social-critique film --- i.e., the unruly movie star character of Brandon Darrow in Woody Allen's nihilism film "Celebrity" [1998] or the antisocialism panic character of Immortan Joe in George Miller's apocalypto-calculation film "Mad Max: Fury Road" [2015] --- how cognizant are you of dissatisfaction hellmouths? Trends in sociology obviously inform trends in comics.

That's why Carnage is so controversial. He makes it challenging to study 'violence appeal.'

Anarchism (Wikipedia)