The Good
The scenes between Pezzini and Gleason toward the end make the issue worth reading. One thing that this comic did manage to do was make me want to know what will happen next.The Bad
I have always had a bit of a problem with establishing new characters and killing them off quickly without putting thought into the repercussions. In this issue, this happens on three occasions. The threat of these three characters is built up at the end of issue #135 giving the reader the impression that they will create a challenge for Sara and Aphrodite. However, we quickly realize that this is not the case and that these characters are easily eradicated. Why introduce three characters if only to kill them off in a couple of pages? A character death should be treated in a way that will create an impact on the reader and on the story. If there is no plot or character development as a result of a death then the deaths have been in vain. The story provides little plot development and progression and revolves primarily around a fight sequence between Sara, Aphrodite IV, Hera, Athena and Artemis.Another major problem I had with the story was the characterization of Aphrodite IV. We are told she is a cyborg, but how much of the character is still human? She is capable of passing judgement and making amoral decisions. She "played Sara," which implies that she is capable of manipulation and free thought based on logic and reasoning. These seem like relatively human traits to me, not the traits of a cyborg who is just told what to do and follows orders.
The art in this issue was also disappointing. There were several panels that felt both rushed and unfinished. There is one in particular where one of the characters has black scribbles on her face. I have the impression that the pencils may have been good, but the coloring is incomplete. Had the artist taken the time to ink the panels, the art would have been better defined and better executed.