The 100 Minute War gets off to an explosive start as Supergirl confronts her mother over the torture of a captive and Superman fights through waves of Zod's army.
The Good
All of the build-up to this has been much better than I ever thought it would be and that has everything to do with Robinson and Gates' writing. They've crafted an event here that truly feels like a blockbuster. Drama, character, action, storytelling... it's all firing at once. And it really speaks to how well they've set the context (and to Igle's strengths as an artist) that some of the best sequences in this comic are actually silent. Sure, it makes sense scientifically for the silent vacuum of space (as does the fact that Supergirl's tears freeze on her face)... but, really, the lack of words sells the pathos better than any dramatic wailing could.As I mentioned, Igle (with masterful colorist Blond) creates a truly engrossing experience here. I was never stepping back to think about technical things like layouts and compositions because the storytelling was so intuitive. This was a true rollercoaster, with twists and turns and some truly jaw-dropping splashpages. Seriously, the space explosion alone could be a poster. Just wow...
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