My first comics were Superman and Batman from the dusk of the SIlver age and the early Bronze age. I then graduated to Marvel comics around the time of Claremont's X-Men and got out a few years after Secret Wars two.
I got suckered back into comics through the Image revolution, until I started to notice something. While the artwork at first seemed so much more dynamic than the stuff from the olden days some of the anatomy had me worried. I wondered how far they could stretch the human anatomy before it become completely abstract.
In the end I realized that a lot of the new comics were purely style over substance. They looked cool and hip, but they were poorly written and the artwork was too extreme.
Liefeld is definitely one of the people that put me back off comics in the nineties because if people were going to have to top that they would have to do unholy things and break every rule we know about drawing the human anatomy.
Liefeld looks cool and dynamic, but only if you cast a casual glance, as soon as you look more closely you notice how shoddy his work really is.
And I'm really glad that people started to explore whole new styles and that comics today look better than the ever did with a great diversity of styles and designs. So let Liefeld have his Deathstroke, one more reason not do pick up the title.
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