After 1945
Mad scientists were most conspicuous in popular culture after World War II. The sadistic medical "experiments" of the Nazis, especially those of Josef Mengele, and the invention of the atomic bomb gave rise in this period to genuine fears that science and technology had gone out of control. The scientific and technological build up during the Cold War, with its increasing threats of unparalleled destruction, did not lessen the impression. Mad scientists frequently figure in science fiction and motion pictures from the period. Kubrick's Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1963), in which Peter Sellers plays the titular Dr. Strangelove, is perhaps the ultimate expression of this fear of the power of science, or the misuse of this power. In the 1950s there was a great deal of enthusiasm for scientific progress, perhaps typified in films such as Disney's Our Friend the Atom, in which a scientist holds a piece of radioactive Uranium and discusses the positive benefits radioactivity will bring, without due consideration to the potential downsides.
In more recent years, the mad scientist as a lone investigator of the forbidden unknown has tended to be replaced by mad corporate executives who plan to profit from defying the laws of nature and humanity regardless of who suffers; these people hire a salaried scientific staff to pursue their twisted dreams. This shift is typified by the revised history of Superman's archenemy, Lex Luthor: originally conceived in the 1930s as a typically solitary mad scientist, a major retcon of the character's origins in 1986 made Lex Luthor the head of a megacorporation who also plays a leading role in his research and development department.
The techniques of mad science also changed after Hiroshima. Electricity was replaced by radiation as the new tool to create, enlarge, or deform life (e.g., Godzilla). As audiences became more savvy, quantum mechanics, genetic engineering, and artificial intelligence have taken the spotlight (e.g., Blade Runner). Some more recent depictions have had the mad scientist focused upon sacrificing humanity for their creation, with sacrifices ranging from a few people to the entire world population.
a mad scientist
In the 2000s, a number of works have featured the trappings of mad science as familiar, even mundane elements, and shifted to toying with the implications of a setting where mad scientists may live and thrive. The webcomic Narbonic ostensibly chronicles the daily grind of an evil laboratory in a world where henchmenhave unionized and the New Journal of Malology competes with Modern Madiagnosis. Madwoman/small business owner Helen Narbon plays counter to type by being a plump, cheerful twenty-something blonde, obsessed with the color pink and hideous biological experiments involving gerbils. Comic book turned webcomicGirl Genius takes a combination of mad science and steampunk to a logical extreme: a Europe reduced to scattered city-states, divided by the clockwork and biological abominations unleashed by its "Spark" overlords. Other commercial examples are Dr. Horrible's Sing-Along Blog by Joss Whedon, where the main character has a vocal coach to help him develop a maniacal laugh, and the novel Soon I Will Be Invincible by Austin Grossman. The 2008 animated feature filmIgor depicts an entire nation of mad scientists. The 2011 anime work Steins;Gate is known for featuring mad scientist RintarÅ Okabe who is known for his catchphrase "I am mad scientist!" which is said throughout the series. ONE_EYE_HULK is....nothing like that, not one bit!
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