Attack of the killer kitten...
By Methos 9 Comments
She is a cute bundle of love, and as a few people have requested, here's some photo's of little Faith doing what she does best... killing random objects in the bathroom lol
M
Love Interests have always been Colour Coded For Your Convenience. Traditionally, the hero's significant other would usually be a blonde, to contrast with the brunette Vamp or Femme Fatale. But today, the passive Distressed Damsel and Shallow Love Interest have been replaced by the sassy, bold, brash, sharp-tongued Action Girl and Well Excuse Me Princess, easily compatible with the "spunky Fiery Redhead" stereotype.
Considering that less than 1% of the world's population have red hair (largely confined to the Anglo-Irish sphere, and even there only tops at Scotland's 13% of the population), there is a disproportionate number of red-haired female characters out there, and an inordinate number of them are The Hero's winning Love Interest. (On top of that, she is also inordinately likely to have green eyes to go with it.)
One possible source is Robert A Heinlein's fondness for hypercapable redhaired heroines (he had a red-haired wife).
In European comics, the high proportion of redheads among the main protagonists has been explained by some authors by the simple fact that, since redheads are rare, they're easier to spot in the panels, especially true for crowd scenes.
Perhaps surprisingly, given the (relatively) high proportion of Irish redheads, this trope does not seem to exist in Ireland. Redheaded female leads do appear of course, but they are heavily outnumbered by blondes and brunettes. This may be that unlike almost everywhere else red hair is not really seen as 'exotic' in Ireland as blondes are.
It's entirely possible that sometimes the red hair is symbolic of love and romantic desire, making the identification of the hero's love interest at least sub-conscious.There are some cases where the redhead actually is the hero. This is the result of an Evolving Trope. (Maybe. Red-headed male heroes are as old as Thor.)
Examples
Anime
Comic Books
Film
Live Action TV
Video Games
Webcomics
Western Animation
For one thing, it's free. This is an extremely smart move by DC, electing to make this the Free Comic Book Day offering. It sets up the year's big event, lets you know that it's going to be more than just a Green Lantern thing, and even provides something of a scorecard for the new rainbow of Corps flavors.
With that in mind, you should know that it's actually a great set-up issue. At the fresh, unmarked grave for Batman, Hal Jordan brings Barry Allen up to speed (groan) on the recent deaths of Batman, Aquaman, and Martian Manhunter. In a tightly woven tapestry of flashbacks (often a single panel), Hal recalls his contentious relationship with Bruce Wayne. Johns offers some meta-commentary on the nature of heroic resurrections, using Barry as a foil to Hal; Barry holds out the hope that if he and Hal could return from the void, so could their friends. As the "story" portion moves to a close, we begin to see some cuts scenes (one involving the Hawks and the Atom, some simply showing some very particular tombstones) that almost certainly take us up to the opening moments of July's Blackest Night #1. The final two pages also kick in the confirmation of a fact that many have believed for months regarding a facet of the threat, and the revelation of the Black Lantern oath.
Reis captures the solemn nature of the proceedings in the present while handling the need to segue between quiet and action-oriented scenes from the past (and elsewhere) with fluidity and obvious skill.
A fine capper is a series of pin-ups by Dough Mahnke and others that gives us a look at all seven of the Corps off-shoots. Key players are tagged in each shot, and Mahnke's strong style provides a nice sense of uniformity. The two-page GL spread doesn't attempt to name all of the characters (Stel, for instance, isn't labeled), but it's a nice quick-look primer for those that would pick up the two GL ongoings or the mini.
For the money-minded, there's a checklist for tie-ins for the first four months of the story (July-October), which i previously posted HERE. No surprises there, considering that the titular mini, the two GL titles, and the four previously announced three-issue minis (Blackest Night: Tales of the Corps, Blackest Night: Batman, Blackest Night: Superman, and Blackest Night: Titans) are all accounted for. It's interesting to see that the Batman, Superman, and Titans minis will all wrap up by mid-point.
I enjoyed this issue, surprisingly, as it's written by Geoff "Mr Retcon" Johns. And frankly, I expect to enjoy Blackest Night too. We've got the inevitable rise of a dark army of super-zombies, an amazing array of alien designs, war in space rendered by some spectacular artists, and a Blue Lantern that's basically Ganesh. Readers, that's a good time.
M
Boys, set the terror level at code brown, 'cause I need to change my pants.
i do it whenever i feel like it, or whenever i update my profile...
it's a nice change and it's always nice to see people comment on a new avatar
back in the old days, CV 1.0, i actually had an animated .GIF as an avatar that would automatically rotate every 3 minutes to one of 40 different avatars... that really messed with peoples heads lol
M
Ok, simply survey here... this was originally on the Corps forum, but i thought i'd bring it here as well to see how many people answer it, this way my friend over at the Corps forum can actually get a full survay done of a lot of comic fans...
1.) Are you a big fan of the Green Lantern comics?
2.) If so, why?
3.) If not, why not?
4.) How long have you been reading Green Lantern comics?
5.) Do you attempt to read every Green Lantern issue as it comes out, or do you only purchase and read select issues?
6.) Which Green Lantern (regardless of sector) is your favorite?
7.) Why do you prefer this Lantern over other Green Lanterns?
8.) Which storyline, excluding the upcoming Blackest Night storyline, has been your favorite Green Lantern storyline?
9.) Why? What did it have that other Green Lantern storylines did not have?
10.) Are you excited about the upcoming Blackest Night storyline?
11.) If you are, why?
12.) If not, why?
13.) Do you believe that the different types of Lanterns (i.e. violent lanterns, orange lanterns, etc.) added a creative twist to the Green Lantern universe?
14.) If so, why?
15.) If not, why?
16.) How do you feel about the new rules that the Guardians have implemented upon the Green Lanterns? Do you believe that they will have a major impact on the Green Lanterns?
17.) If so, how do you feel that they will have a major impact?
18.) Do you believe that the Guardians are necessary to the Green Lanterns, or do you believe that they are corrupt and largely unprepared for major disasters?
19.) Do you believe that there are any upsides to reading Green Lantern? For example, are there any positive messages that are exemplified by the comic?
20.) Lastly, who is your preferred Green Lantern writer? Why?
"A beautiful girl with a mysterious past who will be anything you need her to be? Be still our hearts."
"In a crazy random happenstance, her abuser turns out to be one of the kidnappers. This really doesn't help the negotiations go smoothly."
"The Doll house just prevented a baby rapist putting his -beep- in a 10-year-old girl which most would see as a positive outcome."
"Doesn't the concept of informed consent become meaningless? If she remembers nothing after her mission how can she hold her handlers accountable? Slutbag, negotiator assassin, - you don't know where you've been, baby."
There also isn't necessarily a clear target for distaste. As the administrators at the Dollhouse, Williams and Diamond's characters are either really bad guys practicing a form of techno-white slavery, or else they're savvy business people providing a service for a cost. Topher is a bit of an immoral cretin, but he's a geek using people as toys, rather than being truly malicious.
"Dollhouse" is awash in gray area.
The very first line of the entire series is "Nothing is what it appears to be" and the show is about cheating expectations, for characters, for plots, for episodic television at every step.
Because the "Dollhouse" world is so hard to absorb, the series has begun with a number of episodes that are relatively stand-alone. Paradoxically, the repetition of basic exposition makes it easier to understand how things work in this version of the not-so-distant future (or alternate present), but harder to get hooked into the universe of the show. Amidst these various pilot permutations are hints at where the show is building and seeds of mysteries, several of which I'm eager to learn more about and several of which I'd just see wiped.
When the serialized elements and mythology kick in, I hope the world will become less analytical and more immersive. I wonder if those elements will be introduced fast enough to keep viewers involved. Yes, Whedon and various cast members have talked about how things get really good in the middle of the season. I'll still be there, but as you can see, I've got some frustration on this one.
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